Publications of Tue Haste Andersen

[21] S. Zhai, P. O. Kristensson, C. Appert, T. H. Andersen, and X. Cao Foundational Issues in Touch-Surface Stroke Gesture Design — An Integrative Review. In Foundations and Trends in Human–Computer Interaction Vol. 5, No. 2, 97–205, 2012
[20] T. H. Andersen and S. Zhai "Writing with music": Exploring the use of auditory feedback in gesture interfaces. In ACM Transactions on Applied Perception 7(3): (2010)
[19] T. H. Andersen, R. Huber, A. Kretz and M. Fjeld Feel the Beat: Direct Manipulation of Sound during Playback. In Proceedings of TableTop 2006, Lecture Notes in Computer Science. Springer Verlag.
[18] T. H. Andersen. Searching for music: How feedback and input-control change the way we search. In Proceedings of Interact 2005, Lecture Notes in Computer Science. Springer Verlag, September 2005.
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[17] T. H. Andersen. Interaction with Sound and Pre-recorded Music: Novel Interfaces and Use Patterns. Ph.D. dissertation, Department of Computer Science, University of Copenhagen, June 2005.
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[16] T. H. Andersen. In the Mixxx: Novel digital DJ interfaces. In Proceedings of CHI 2005, pages 1136-1137. ACM Press, April 2005. Demonstration and extended abstract.
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[15] T. H. Andersen. A simple movement time model for scrolling. In Proceedings of CHI 2005, pages 1180-1183. ACM Press, April 2005. Late breaking result.
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[14] T. H. Andersen and K. Jensen. Importance and representation of phase in the sinusoidal model. Journal of the Audio Engineering Society, 52(11):1157-1169, November 2004.
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[13] K. Jensen and T. H. Andersen. Beat estimation on the beat. In Proceedings of the IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA), New York, October 2003.
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[12] T. H. Andersen. Mixxx: Towards novel DJ interfaces. In Proceedings of the New Interfaces for Musical Expression (NIME'03) conference, Montreal, pages 30-35, May 2003. Design report.
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[11] D. Murphy, T. H. Andersen, and K. Jensen. Conducting audio files via computer vision. In Gesture-Based Communication in Human-Computer Interaction: 5th International Gesture Workshop, Genova, Lecture Notes in Computer Science, pages 529 - 540, April 2003.
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[10] K. Jensen and T. H. Andersen. Real-time beat estimation using feature extraction. In Computer Music Modeling and Retrieval: International Symposium, Montpellier, Lecture Notes in Computer Science, pages 13-22. Springer Verlag, 2003.
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[9] T. H. Andersen and K. Erleben. Sound interaction by use of comparative visual displays. In Proceedings of the Second Danish HCI Symposium. HCØ Tryk, November 2002. Extended abstract.
[8] T. H. Andersen. Live DJ interaction with sound. Doctoral Colloquium at NordiCHI, Aarhus, Denmark, October 2002.
[7] T. H. Andersen. Musikinformatik, February 2002. Tidsskriftet Moment.
[6] T. H. Andersen. Phase models in real-time analysis/synthesis of voiced sounds. Master's thesis, Department of Computer Science (DIKU), University of Copenhagen, Denmark, January 2002.
[5] T. H. Andersen and K. Jensen. Importance of phase in sound modeling of acoustic instruments. In Mosart Midterm Meeting Report. Aalborg University, 2002.
[4] T. H. Andersen and K. Jensen. On the importance of phase information in additive analysis/synthesis of binaural sounds. In Proceedings of the International Computer Music Conference, Havana, Cuba, 2001.
[3] J. Arnspang, K. Jensen, D. Murphy, T. H. Andersen, and G. Marantakis. Music informatics laboratory at DIKU. In Proceedings of the International Computer Music Conference, Havana, Cuba, 2001.
[2] T. H. Andersen and K. Jensen. Phase models in analysis/synthesis of voiced sounds. In Proceedings of the DSAGM, 2001.
[1] T. H. Andersen and K. Jensen. Phase modeling of instrument sounds based on psycho acoustic experiments. In Proceedings of the MOSART Workshop on current research directions in computer music, Barcelona, Spain, 2001, 2001.
Last updated 1st of July 2012